![]() “There was a lot of violence in the script and he wanted that to come through, except for the drug moments when it needed to appear hyper-real and somewhat beautiful.”Īdding to the impact was the fact that Dredd was a stereo show, filmed natively on RED One’s and SI-2Ks, and high speed photography shot on Phantom Flex’s. “Alex wanted Dredd to be gritty and real and visceral,” says Thum. Thum, VFX Supervisor of Dredd 3D and Prime Focus World, was on-board early in the concept stage working with writer and producer Alex Garland. ![]() Slow motion effects formed some of the film’s key sequences. We go behind the scenes of the stereo effects work in the film with overall visual effects supervisor Jon Thum, Prime Focus World, Baseblack and The Mill. A future metropolis, slow motion gun battles and some literally head-exploding scenes – these are just some of the visual effects in Pete Travis’ Dredd 3D, a new take on the 2000 AD Judge Dredd comic character.
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